Original Fine Art Paintings by Idaho artist Simon Tate
Home
The Art of Ageing
My Story
BLOGS sequenced 2018-2024
Acrylic Paintings
1 of a Kind Oil Paintings
25+ years, 14 states
Videos
Portraits over the years
Original Fine Art Paintings by Idaho artist Simon Tate
Home
The Art of Ageing
My Story
BLOGS sequenced 2018-2024
Acrylic Paintings
1 of a Kind Oil Paintings
25+ years, 14 states
Videos
Portraits over the years
More
  • Home
  • The Art of Ageing
  • My Story
  • BLOGS sequenced 2018-2024
  • Acrylic Paintings
  • 1 of a Kind Oil Paintings
  • 25+ years, 14 states
  • Videos
  • Portraits over the years
  • Home
  • The Art of Ageing
  • My Story
  • BLOGS sequenced 2018-2024
  • Acrylic Paintings
  • 1 of a Kind Oil Paintings
  • 25+ years, 14 states
  • Videos
  • Portraits over the years

Ageing Creatively at 80

My very first public art exhibit, Mother's Day 1976, after 1975 year of creative production.

Still Flinging Paint Like It’s 1975: The Power of Prolific at Almost 80

 

Some people slow down as they age. Me? I just paint faster.

I’m heading toward 80 this fall, and I haven’t stopped slinging paint, stacking canvases, or chasing the next idea. My body has slowed, sure—my hands cramp, my knees groan, and I sometimes forget where I was headed with the brush. But the creative force inside me? It’s stronger than ever. If anything, aging has concentrated my artistic energy, like a fine reduction simmered low and slow over decades.

I am, quite simply, prolific. Not as a brag, but as a fact. I paint daily. Sometimes dozens in a day. No prints, no copies, no automated series. Just one original after another, from heart to hand to canvas.

And yes, they’re originals. Always.

The next decade, the 80's into 90's including cast paper, cast paper & fiber sculptures, along with

Aging Gracefully, Painting Fiercely

 


Getting older isn’t just about slowing down or adapting—it can be a superpower. I’ve had decades to refine my voice, deepen my palette, and understand the pulse of what moves me to create. I know how to follow an obsession, how to let my brain spiral in full royal flourish until a theme works itself out. And I trust that spiral.

Yes, I fight back against the toll aging has taken. But I don’t resist the wisdom, the clarity, or the intensity it brings to my work. I’m still standing. I’m still flinging paint like it’s 1975.

Why Only Originals?

 


I’ve watched the art world shift over my decades as a working artist. The market is flooded with giclée prints, reprints, and mass-produced canvas transfers. You can buy someone’s art printed on a T-shirt, coffee cup, shower curtain, and mousepad.

That’s not me.

I sell only one-of-a-kind original paintings, because that’s what I believe in. A painting should carry the energy, spontaneity, and spirit of its creator. Each piece I make holds a story, a moment in time, a flicker of something real. And there’s only one of them.

Collectors come to my booth and often ask, “Do you make prints?” My answer is always the same: “Nope. If it speaks to you, it’s one of a kind."

  • Home
  • The Art of Ageing
  • My Story
  • 25+ years, 14 states
  • Videos
  • Portraits over the years
  • Sculpture paper/fiber
  • 2 Artist Commune
  • Mountain Cabin Gallery
  • Sculpted Gnome Garden
  • Chainsaw Carver Ray Tate
  • Si's signs for friends.
  • Art to adorn cabin

Simon Tate Impressions

si@simontateimpressions.com

Copyright © 2018 Simon Tate Impressions - All Rights Reserved.

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