Some people slow down as they age. Me? I just paint faster.
I’m heading toward 80 this fall, and I haven’t stopped slinging paint, stacking canvases, or chasing the next idea. My body has slowed, sure—my hands cramp, my knees groan, and I sometimes forget where I was headed with the brush. But the creative force inside me? It’s stronger than ever. If anything, aging has concentrated my artistic energy, like a fine reduction simmered low and slow over decades.
I am, quite simply, prolific. Not as a brag, but as a fact. I paint daily. Sometimes dozens in a day. No prints, no copies, no automated series. Just one original after another, from heart to hand to canvas.
And yes, they’re originals. Always.
Getting older isn’t just about slowing down or adapting—it can be a superpower. I’ve had decades to refine my voice, deepen my palette, and understand the pulse of what moves me to create. I know how to follow an obsession, how to let my brain spiral in full royal flourish until a theme works itself out. And I trust that spiral.
Yes, I fight back against the toll aging has taken. But I don’t resist the wisdom, the clarity, or the intensity it brings to my work. I’m still standing. I’m still flinging paint like it’s 1975.
I’ve watched the art world shift over my decades as a working artist. The market is flooded with giclée prints, reprints, and mass-produced canvas transfers. You can buy someone’s art printed on a T-shirt, coffee cup, shower curtain, and mousepad.
That’s not me.
I sell only one-of-a-kind original paintings, because that’s what I believe in. A painting should carry the energy, spontaneity, and spirit of its creator. Each piece I make holds a story, a moment in time, a flicker of something real. And there’s only one of them.
Collectors come to my booth and often ask, “Do you make prints?” My answer is always the same: “Nope. If it speaks to you, it’s one of a kind."
Simon Tate Impressions
si@simontateimpressions.com
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